Reverbose Records Workbook Studio 25 Hour Grand Prix

I've been trying to stay away from stuff that I've been directly involved in, but I would be remiss not to mention as part of the compilation album coverage the 2004 release Workbook Studio 25 Hour Grand Prix released on Reverbose Records.

From what I recall, this was the brainchild of Neal Schmitt and Jon Chinn at Workbook, and we at Reverbose were looking for release opportunities other than just our own bands. The experience itself was quite exciting - being a part of a process where each band received one hour to record and mix their songs. For the bands, they could move in and out, but for the Workbook crew, that was a long twenty-five hours.

We ended up with a pretty eclectic and interesting batch of tunes from plenty of new and lesser-known bands, as well as more established local artists like Pretty Mighty Mighty, House Of Heroes, Greenlawn Abbey, A Planet For Texas and El Jesus de Magico.

Video: If You Want My Love - Cheap Painters

Here's a fun nugget from Columbus music history past. At Workbook Studio, there was an ongoing in-house recording project called the "Cheap Painters," which was doing Cheap Trick songs in the style of the Red House Painters. In this case, it's Dan Gerken and Billy Peake of Miranda Sound, along with Neal Schmitt of Workbook and Pretty Mighty Mighty, and Jay Macke.

 

Mixonline 2005: Workbook Studios - Columbus Spot Specializes In "High Speed Recording"

In 2005, Workbook Studio and Reverbose Records (note, I was part of this) recorded twenty five band in twenty five hours. Mixonline reported on the project, here's some of that:

Aided by chilled Red Bull, hot coffee and the buzz of a revolving door of musicians, Schmitt, Chinn and Wilburn fired up the automated Tascam 3700 24/48-channel console in the control room of their 3,000-square-foot loft space at 4 p.m. one Friday afternoon. Several mic swaps and level-checks later, they sent the last band home at 5 p.m. on Saturday. The lineup of mostly local and regional acts were recorded using Digidesign's 002 LE system (the studio also owns a few Alesis ADATs and a Tascam MS16 1-inch 16-track) with assistance from AKG, Neumann, Shure, Sennheiser and BLUE Baby Bottle mics, and the studio's large selection of guitar amps, drums and keyboards. “We had two drum kits and tons of guitar amps set up everywhere for bands to pick from,” Schmitt explains. “While one band was doing vocals and finishing their mix, the next one was setting up. We worked in two-hour blocks; the second engineer became the main engineer. We thought the hardest part would be filling the late-night slots, but some bands wanted the worst slots!”

Video: Pretty Mighty Mighty Recording Casting Call for 25 Hour Grand Prix Compilation