Newcity Music: Quotas System - Mike Rep and Tommy Jay’s Creative Life is Best in a Basement

True Believers wasn't the last time Mike "Rep" Hummel and Tommy Jay played and recorded together, not by a very long shot. This article at Newcity Music from 2013 digs into their history, here's a snippet:

The music whizzing around Rep and Tommy Jay eventually found itself synthesized in scores of recordings—the overwhelming majority of which remain unreleased. What got set to tape during those formative explorations didn’t become immediately available. 

And when “Rocket to Nowhere” showed up in 1977, it seemed like no one was listening.
“We were more influenced by our isolation than by being part of a scene, pre-’78,” the multi-instrumentalist says of his first few years tinkering with recorded songcraft. 

Rep, though, was undeterred and continued recording at a prodigious rate, woodshedding in basements, goofing off with his friends but only emerging later in the decade as a member of the True Believers—a group orchestrated by Tommy Jay. 

The band issued its lone recording, “Accept It” on Rep’s fledgling New Age imprint. It was 1980. The three songs toss off a surprising range of music, considering the players seemed wrapped up in punk concerns. Even the title track reveals a gentle melodicism alongside the genre’s quick pacings. 

Rep, again deferring to Tommy Jay’s talents, says the album ranks as an UR-recording and that his companion’s recognition is usually glossed over by virtue of the Quotas using Rep’s surname. 

By the time the True Believers were kicking around, though, Rep says a concerted scene had begun to coalesce around groups like Ron House’s Twisted Shouts and Jim Shepard’s Vertical Slit. There were even a few venues daring enough to host performances. Rep and Tommy Jay persisted, this new enclave serving as proof that what they were blindly pursuing had pent-up meaning. And someone cared, somewhere.

Agit Reader: Ego Summit - Summit Talks

Veteran Columbus writer Stephen Slaybaugh wrote about Ego Summit for The Agit Reader back in 2008, here is some of that article:

When the annals for the rock scene of Agit hometown Columbus, Ohio are written, there are certain names that will stand out, their direct input and/or influence sewing a thread that cuts across decades and perhaps generations. Taking their cues from the “anyone can do it” ethos of punk, but losing some of the urbanity for distinctly Midwestern accents and skepticism, a close knit bunch of book-fed and alcohol-bred minds formed the nucleus of the indie-genous scene in the late ‘70s and throughout the ‘80s and into the ‘90s. Don Howland, Mike “Rep” Hummel, Jim Shepard, Tommy Jay, Ron House—among others, the contributions of these five to the Columbus pantheon (if there is one) can’t be overstated. Gibson Bros., Great Plains, V-3, Quotas, Bassholes, Slave Apartments—Columbus’ musical DNA can be traced directly to these bands. 

But despite crossed paths in various combinations, it wasn’t until a weekend in 1997 that those five all got together so that, as Hummel put it, “some documentation to that fellowship (would) be recorded on tape before the participants doddered off into old age.” With Jay, Hummel and friend Jerry Wick (of Gaunt) manning a four-track, the group convened at Jay’s studio barn in the rural suburb of Harrisburg and recorded over two days. The result was The Room Isn’t Big Enough, an album released on Hummel’s Old Age/No Age label under the fitting moniker of Ego Summit. While the contributors’ credentials spoke for themselves, the album received little attention when it was released.

New Additions: The Room Isn't Big Enough by Ego Summit

Is Ego Summit the Columbus equivalent of a super group? The coming together of artists to form a one-off project from bands such as Thomas Jefferson Slave Apartments, Mike Rep & The Quotas, V-3, Bassholes and more. Maybe none of those bands made an impact nationally, but locally, they all have are all of legendary status. It does speak to the stature of this release that it has been re-released twice, once in 2009 on CD, and then again in 2013 on vinyl. I managed to track down an original copy, and glad I did, as the artwork is much more DIY than the re-releases, a cool aspect of many Columbus records.

614 Magazine: Where Did the Punk Rockers Go?

Interesting question posed by Chris Gaitten of 614 Magazine back in 2015:

In 2008, CDR released the first of the unheard stash, Tommy Jay’s Tall Tales of Trauma, from Tommy Jay, a member of the Quotas. Jay and Rep hailed from a tiny hamlet just south of Grove City called Harrisburg, where Jay had created a practice space and studio in his home. For decades, a rotating cast of musicians known as The Harrisburg Players rehearsed and recorded there, influencing and often comprising Columbus’s underground bands. 

CDR hit overdrive in 2009, starting a singles club in addition to the new releases, reissues, and previously unheard music. They distributed 16 records that year, often at the expense of relationships and showering, Smith said. Over time, they put out releases from lo-fi luminaries like Cheater Slicks, as well as the next generation of bands like Psychedelic Horseshit 

Their production levels decreased in subsequent years, as bands like Bassholes and Cheater Slicks only recorded new music every so often, and the unreleased Harrisburg stash was eventually tapped. Koe-Krompecher had revived Anyway, and other local labels like Superdreamer Records had begun popping up.