Know Yer Band: The Black Swans

Band: The Black Swans

Members
Vocals/Guitar - Jerry DeCicca
Guitar - Milan Karcic / Chris Forbes
Bass - Matt Surgeson / Canaan Faulkner
Drums - Jovan Karcic / Keith Hanlon
Violin/Viola - Noel Sayre
Keyboards - Jon Beard
Banjo - Tyler Evans

Releases
2004 - Who Will Walk In The Darkness With You? album (Delmore Recording Society)
2006 - Sex Brain EP (Bwatue Records)
2007 - Change! album (The Listening Party)
2009 - Split single w/Alina Simone (Sunken Treasure Records)
2010 - Split single w/Bonnie "Prince" Billy (LJW)
2010 - Words Are Stupid album (St. Ives)
2011 - Blue Bayou/Joe Tex 7" single (Scioto Records)
2011 - Don't Blame The Stars album (Misra)
2011 - Split single w/The Fisherman Three (Shelved Records)
2011 - Split single w/Ed Askew (Scioto Records)
2012 - Occasion For Song album (Misra)
2012 - Split single w/The Malefactors Of Great Wealth (Not On Label)
2012 - Singles 2003 - 2012 compilation album (Scioto Records)

Know Yer Band: Orchestraville

Band: Orchestraville

Members
Vocals/Guitar - Chris Forbes
Guitar - Brendan McKay/Matt Duckworth
Bass - Dave Pascoe
Drums - Keith Hanlon
Keyboards - Parker Paul

Releases
1992 - I For An I 7" single (Interzone)
1998 - Orchestraville album (Mossy Records)
2001 - At Night It Is Particularly Lovely (Mossy Records)
2010 - Poison Berries (Old 3C Record)
2010 - Waiting For A Chance digital single (Not On Label)
2010 - Invent The Machine digital EP (Not On Label)
2011 - Early Tracks: Outtakes 1991 - 1998 compilation album (Mossy Records)

614: Long Playing - Inside Musicol

Over at 614 Magazine in July 2018, Mike O'Shaughnessy explores the local gem that is Musicol:

Digital media has become the throwaway pile, whereas your vinyl collection has been restored as the musical collection with which to impress your friends. 

Which is why it’s worth celebrating that of the few one-stop factories left in the country, one shares a zip code with Rod’s Western Palace. 

House Engineer Keith Hanlon has been behind the mixing board in Studio A since 2013, filling Smith’s boots when he left for Texas. A few things drew him to concentrate his energies at Musicol, but among them was the prospect of getting to spend every day at work amongst his own personal utopia of classic sound engineering. When he attended Ohio University, his class was the last to work with tape before ditching analog for the impending condensing. 

“It is the oldest studio in Columbus [1968]. The studio’s history drew me in, but the kicker is the collection of vintage gear there. I’m able to work in both the digital and analog realms. We still have multitrack tape machines there, and plenty of musicians want the opportunity to record to tape,” he said. “I love the workflow of an analog session, because everybody knows they have to nail the performance. Editing a performance is much more time-consuming and difficult.” Hanlon’s presence completes the circle of quality that comes with a session at Musicol: the studio thrives because of the caliber of the gear and of the staff controlling the machines.